The money comes back faster than the craft
UK marketing budgets have turned back toward brand, with video at a seven-quarter high. The capability to spend that money well has been built the slowest way available, and Employer Brand is where the shortfall does the most damage.
The IPA's Q2 Bellwether Report carried one figure that travelled: a net balance of +6.9% on total marketing budgets, with 23.8% of the panel raising spend against 16.9% cutting it. On its own that reads like a recovery. Set beside the other number in the same report, it reads like something more useful. S&P Global expects UK adspend to grow 2.1% across 2026.
Those two figures are not the same measurement and should never be put on a slide against each other as though they were. One counts how many people intend to raise a budget. The other forecasts how much money the market will actually contain. The distance between them is not a contradiction; it is the ordinary distance between a mood and a ledger. It is worth naming anyway, because the mood is what gets a budget approved in September and the ledger is what has to execute it.
The composition is where the interesting part sits. Main media rose on a net balance of +1.5%. Video, on the same basis, rose 8.2%, which the IPA calls a seven-quarter high. And "other online", the catch-all holding most of what a team does when it is buying its way to a quarterly number, fell 5.1%, reversing the +5.7% reading of Q1 and being cut for the first time in seven quarters.
That is money rotating out of activation and back toward brand. It is, broadly, the rotation the long-and-short argument has spent years asking for.
And it is arriving at a profession that has spent six years building capability in the slowest way available.
In the same window, MIT Sloan Management Review published the 35th edition of the CMO Survey, written up by Christine Moorman, Mara Michel and Elise Romola from 308 marketing leaders at US for-profit companies. Nearly 60% said they build marketing capability through internal training and hiring rather than through external partnership or acquisition, a proportion that has not moved since 2020. The argument the authors make is that firms call capability critical and then systematically under-invest in it.
Take both readings at their own weight. A UK budget panel and a US survey of marketing leaders are not one dataset, and I am not going to pretend they are. The Bellwether measures stated intention, not spend, and its panel is British. The CMO Survey is US-only, for-profit only, and the authors are reporting their own instrument. Whether the same rotation shows in other markets I do not know from this data, and I would hold the claim to the UK until someone puts a multi-market series next to it.
But the mechanism the two describe is not obviously national, and it is simple. Build-it-yourself is not a bad model for capability. It is a slow one. Money moves at the speed of a budget cycle. Capability moves at the speed of people — hiring them, training them, letting them be bad at something for a while. And the fastest-rising line in the Bellwether is video, which is the most craft-dense, longest-lead-time thing a marketing team makes.
A budget that arrives faster than the ability to spend it well does not look like a crisis. It looks like a busy year.
Now the part neither instrument was pointed at, and I want to be exact about that. The Bellwether measures marketing budgets. The CMO Survey asked marketing leaders about marketing capability. Neither was asking about the employer promise. What follows is my reading, not their finding.
Employer Brand is the sharpest case of this problem, because it is the one piece of brand work that was never resourced as brand work in the first place. In most companies it sits inside a function built to hire people, run payroll and manage risk, and it is asked to do the thing brand teams take years, agencies and craft budgets to do. When marketing under-invests in capability, it is at least under-investing in something it recognizes as a capability, with a line to defend and a vocabulary to defend it in. Employer Brand is usually under-invested in a category nobody opened.
Which is why a rotation toward brand matters more here than it looks, and cuts differently. If the money comes back and the capability does not, marketing produces work that is merely unremarkable. Employer Brand produces something worse: a promise, made at volume, to an audience standing inside the company. A campaign that overstates the product is a weak campaign. A campaign that overstates the employer is evidence, and the people it is aimed at are already holding the counter-evidence.
There is a timing detail I do not want to make too much of, because a coincidence deserves to be treated as one. On the day the Bellwether reported budgets turning back toward brand, Josh Bersin published a piece arguing that the affordability squeeze on pay has stopped being an inflation story and become a structural one. It is a position piece with a stated view, and I am using it as a frame rather than as evidence. But it is a fair picture of the year: the money behind the promise going up, the currency of the promise in question.
One more thing, because the optimistic reading of a brand rotation deserves a hearing and then an answer. That reading is that reach does its own work: if the money goes to brand, mental availability follows more or less mechanically. I think that is true of the money and false of the execution. Reach is bought. Being worth remembering is made. The Bellwether can tell you the first is coming back; nothing in it tells you anything about the second.
So the useful question ahead of September is not how much budget you will get. It is narrower, and it is answerable now, before the number lands: what is the largest piece of brand or Employer Brand work your organization could execute, to a standard you would put your name on, without hiring anyone? Whatever that is, that is your real budget. The rest is a number waiting for a capability.
The Bellwether reading is good news. It is also a deadline, and it is arriving on a schedule that suits money rather than craft.